Interview: In conversation with Lottie Jones: Finding space in Surrender
Lottie Jones discusses Surrender, working with Fred V, writing for different corners of drum and bass, and why vocalists are finally receiving more recognition.
Lottie Jones discusses Surrender, working with Fred V, writing for different corners of drum and bass, and why vocalists are finally receiving more recognition.
Why the most useful tune in a drum and bass set is often the one that creates space, resets the room, and gives the next peak somewhere to land.
Juno Download has officially closed, ending a long chapter in underground electronic music. We look at its role in discovery, archives and catalogue visibility.
More drum and bass DJs are stepping back from constant double drops and rapid-fire mixing, rediscovering tension, pacing, and space on real sound systems.
Fr4ktion discusses melody, rave-era influences, genre freedom, production habits, and finding emotional balance in modern drum and bass.
Why certain drum and bass rollers only fully come alive on real sound systems, and what that says about modern listening culture.
Lee UHF and Noise Souls discuss Guilty Verdict, dark jungle influences, visual storytelling, remote collaboration, and building music without compromise.
JK Beats discusses the slow build behind Jack of All Trades, emotional songwriting, liquid drum and bass, and learning when to stop tweaking.
Modern drum and bass crowds look different to a decade ago. From phones and LED walls to sound positioning and crowd psychology, the dancefloor has shifted.
Myselor begins the rollout for his 20-track album Cosmic Expression on Evolution Chamber with opening sampler Breaking Chains.
Trueangle and JIROBASS discuss B.O.L.O.T.O / Crickets, collaboration, atmosphere, drum detail, and building tension through contrast.
Some drum and bass tracks hit harder without sounding louder. This is how space, tension, groove, and restraint create real system pressure.